지도 없는 들판V5.5

Indie folk acoustic ballad at 94 BPM with fingerpicked acoustic guitar, brushed percussion, warm upright bass, and gentle harmonies; verse stays intimate and road-worn, pre-chorus opens with rising guitar figures and breathy doubles, chorus lands on a hummable, repeated melodic anchor with soft gang vocals, bridge pulls back to solo guitar and close-mic voice before the final chorus blooms with wider harmonies and a resolving cadence., natural, distinct, acoustic, indie folk, vocal

2026-09-26 13:31

Текст песни

[Verse 1] 낯선 언덕 위로 내 발이 먼저 닿아 손에 쥔 건 바람뿐 주머니는 가벼워 돌멩이 하나가 길을 대신 말해 내려온 흙냄새에 저녁이 섞여 와 [Pre-Chorus] 한 걸음 또 한 걸음 흔들려도 괜찮아 어디로 가는지 몰라도 나는 여기 살아 [Chorus] 지도 없는 들판 그래도 나는 가 지도 없는 들판 내 숨이 길이 돼 넘어진 자리마다 풀잎이 손을 잡아 지도 없는 들판 그래도 나는 가 [Verse 2] 마른 개울가에 작은 발자국 셋 누가 지나갔는지 이름은 몰라도 돌아보면 멀리 구름만 따라와 헛디딘 내 발끝에 새 풀이 돋아나 [Pre-Chorus] 한 번 더 고개 들어 산등성이 바라봐 틀린 길이 아니야 내가 만든 길이야 [Chorus] 지도 없는 들판 그래도 나는 가 지도 없는 들판 내 숨이 길이 돼 넘어진 자리마다 풀잎이 손을 잡아 지도 없는 들판 그래도 나는 가 [Bridge] 비가 한 차례 지나 땅은 더 검어지고 내 발자국 위로 물빛이 고여 이제 알 것 같아 길은 앞에만 있지 않아 돌아온 마음에도 길은 남아 있어 [Final Chorus] 지도 없는 들판 그래도 나는 가 지도 없는 들판 내 숨이 길이 돼 멈춘 듯한 순간도 나를 데려가 줘 지도 없는 들판 끝내 집이 돼 지도 없는 들판 그래도 나는 가 내가 걷는 오늘이 나의 길이 돼

Рекомендуемые

仲間と旅に

funk, jazz, funk-jazz

博多どんたく

City pop with a laid-back four-on-the-floor groove, glossy electric piano, clean funk guitar chops, and bouncy bass; verses glide in close-mic female vocals over brushed drums and muted synth pads, pre-chorus lifts with filtered strings and handclaps, chorus opens wide with layered harmonies and a chanty hook. Add palm-muted guitar fills, a short sax response after phrase endings, tape-warm risers into the drop, and a bright, polished mix with a nostalgic late-80s sheen., female vocals

Наш маленький світ

pop,Romantic

ليلة السعد

pop, gulf wedding / Gulf-inspired folk-pop, celebratory dance / party track

君に贈るラブソング

high-energy; driving beats with bold basslines, rap, layered with strings and piano for emotional depth, hip hop, passionate

ブルーシールの夜

funk

From Dust To Crown

Modern trap hip hop with half-time bounce and sharp triplet hats, 808-heavy foundation, verse one stays dark and stripped with piano stabs and tight kick patterns; pre-chorus lifts with rising pads and doubled ad-libs; chorus opens wide with stacked harmonies and a chant hook. Male vocals, close-mic and vulnerable in verses, wider doubles on the hook, delay throws on key lines, reverse swells into each chorus, crisp punchy mix with a glossy low end., motivational, emotional, male vocals, rap, deep, hip hop

走り出す朝

Pop-rap with lo-fi drums and rock guitar edges, mid-tempo bounce and syncopated hi-hats; verse rides a dusty loop with tight rap phrasing, pre-chorus opens into brighter chords, chorus hits with shouty gang doubles and a simple chantable lift. Add tape hiss, vinyl crackle, and a rising reverse swell into each hook; bridge strips to voice and guitar before a final full-band push. Bright but slightly gritty mix, intimate close-mic vocal with wide hook layers., rock, lo-fi, pop, hip hop, rap

male vocals

喜悅,夢幻,浪漫

piano,ソフト

male vocals,breakbeat,Slow

Not high for this

female vocals,r&b,82bpm

匯成河吧 @tmy_design

male vocals,emo,post-rock,dub,折衷,抑鬱,憂鬱

சிலம்பம் – எங்கள் உயிர் சிலம்பம்

rhythmic vocals, traditional tamil folk style, energetic percussion, dynamic group chants

ハルマキィ事件

Japanese alt-rock with driving mid-tempo drums and crunchy rhythm guitars; verse rides tight palm-muted riff and bass; pre-chorus opens with rising toms and stacked gang vocals; chorus hits with wide power chords, shouted doubles, and a chopped call-and-response hook. Add reverse cymbal swells into each chorus, a brief tape-stop before the final line, and bright but gritty mix with upfront male vocals.

Tom Tom ou Vivico

pop，Motivacional，Feliz

Okay To Be Happy

female vocals,piano ballad,symphony,hip hop

Wanted

female vocals,dub,hip hop,violin,Passionate,Dark

早退カードマン

Breakcore,Punk