
Auê No SESIV4.5
Brazilian funk-pop with syncopated percussion and bouncy bass, verse rides tight conversational phrasing; pre-chorus strips to claps and vocal stabs; chorus hits with gang shouts and a repetitive chant. Lead vocal stays playful and slightly raspy with doubled hook lines, ad-lib pings between phrases, and short delay throws on the key word. Use risers, reversed snaps, and a sudden break before the last chorus. Bright, punchy, and crowded in a club-ready mix.
2026-09-02 23:48
الكلمات
الموصى به

guitar,piano,trumpet,violin,jazz,metal,punk

male vocals,country,blues,guitar,Меланхоличный,Темный,Страстный,Депрессивный,Жесткий

piano,喜び,イメージは 前半は青春・疾走感 → 2番で苦しさ → ラスサビで一気に感動 → 最後は静かに終わる。 🎵 曲の構成イメージ イントロ * 体育館の音、ボールを打つ音から始まる * ピアノ+少しずつ楽器が入る * 最初は明るすぎず、少し懐かしい感じ Aメロ 入部したばかりの あの日の私たちは 何も分からなくて ただボールを追いかけた → 優しく、少し語りかけるように。 Bメロ きつい練習も 長い一日も 隣で頑張る仲間がいたから 「もう少しだけ」って 前を向けた → ドラムやギターが少しずつ強くなる。 🔥 1回目のサビ 何度転んでも 何度負けても 私たちはまた 立ち上がった 笑った日も 泣いた日も 全部が今日につながってる ここはみんなで歌ってる感じ! ⸻ 🏐 2番は「苦難」を強める 試合で負けたこと、レギュラーになれなかった悔しさ、練習がきつかったこと、仲間とぶつかったこと…… 思うようにいかなくて 悔しくて眠れない夜もあった 「なんで私なんだろう」って 自分が嫌になった日もあった それでも次の日には また体育館に集まって 同じボールを追いかけて 一緒に笑っていた ここで一回、曲を静かにする。 ⸻ 🌟 ラスサビ そして最後に一気に盛り上げる。 何度転んでも 何度負けても 私たちはここまで来たんだ 笑った日も 泣いた日も 一つも無駄じゃなかった 最後の笛が 鳴り響いて このコートを離れるとき 寂しくて涙が出るけど 胸を張って 「ありがとう」 ここで** 写真や動画を3年間の順番で流す**とめちゃくちゃ合う。 ⸻ 🥹 最後の30秒 楽器が全部なくなって、ピアノだけ。 みんなの写真をゆっくり流しながら、 3年間、ありがとう。 一緒に笑ってくれてありがとう。 一緒に泣いてくれてありがとう。 この仲間だったから、 私たちは最後まで頑張れた。 少し間を空けて、 「このチームでよかった。」 最後に体育館のボールが床に「ドン」とつく音。 そして無音。 これ、引退ムービーで流したらかなり泣けるタイプ😭🏐

Pop with bright four-on-the-floor kick, bouncy syncopated synth bass, and handclap-driven verses that open into a glowing chorus; verse stays light and playful, pre-chorus strips to snapped percussion and a rising pad, chorus lands with stacked harmonies and a chantable top-line. Female vocals with crisp doubles, airy ad-libs, and small delay throws on the hook. Sparkly arpeggios, reverse swells into each chorus, and a tiny bell motif between lines. Clean, glossy, high-energy mix, pop, female vocals

soft bass, smooth, and playful piano loops for a heartfelt yet celebratory vibe, melodic, rap, upbeat; uses light beats

hyperpop ドリーミーなシンセと重い808 女性ボーカル

jazz, with a gritty electric guitar solo and male vocals, vocal, jazz composition, dissonant, featuring angular melodies and shifting time signatures, avant-garde jazz, complex, electric, avant-garde

سعيد

Folk-infused EDM and DnB with a rap lift, mid-tempo groove and crisp breakbeat drive; verse rides warm acoustic plucks and hand percussion, pre-chorus strips to bass pulse and a rising pad, chorus hits with bright synth stabs and a tight sub drop. Male vocals with intimate close-mic verses, doubled rap phrases, and soft harmony stacks on the hook. Ear candy includes reversed swells into the pre, filtered drum fills before the chorus, and a brief chopped vocal echo on the name. Mix is glossy, wide, and punchy with a heartfelt human center., edm, rap, folk, male vocals

hip hop, classical, folk, latin, raw male vocals, driving guitars with a soaring melody, soul, metal, rhythmic drum patterns, rock, world, upbeat yet moody, edm

Bright acoustic pop with female vocals, gentle piano and nylon guitar up front, soft sub-bass and brushed drums. First verse intimate and close-mic’d; chorus blooms with stacked harmonies on the hook and light bells. Second verse brings a warmer groove and subtle strings; final chorus lifts in key, with ad-libbed top lines and a long, shining vocal sustain on the last word., female vocals

Vaneirão romântico at 96 BPM with swung baile groove; verse opens with solo accordion and viola, first chorus brings vaneira kick and country hi-hat, second verse adds mouth harp like a distant call, final chorus swells with backing shouts and short accordion fills. Lead vocal close-mic and heartfelt, with light doubles on the hook and tasteful delay throws. Steel-blue modal turns, roomy low end, bright and dance-ready mix., country, choro

Russian motivational trap with bouncy half-time drums, sharp 808 pulses, and a tense but uplifting groove; verse rides sparse hats and low piano stabs, pre-chorus strips to voice and kick, chorus hits with stacked gang doubles and a clipped chant. Lead vocal stays close-mic and biting in verses, doubled on the hook, with small delay throws on key insults. Ear candy comes from reverse swells into the chorus, a vinyl crackle lift, and a final beat switch. Bright, punchy mix with hard low end and dry, upfront vocals.

arabic pop, ballad, cinematic pop

female vocals,Эмоциональный

pop,Confident,Motivational

acoustic, pop, emotional with delicate guitar plucks and a soft rhythm section, focusing on a heartfelt and nostalgic tone

folk, Intimate Greek folk ballad with male vocals; sparse nylon-string guitar and soft bouzouki countermelodies, played close and dry. Low, trembling vocal in the verses, almost spoken; chorus opens slightly with doubled harmonies and a subtle organic percussion pulse. Arrangement stays minimal and dark, letting breaths and string squeaks add texture; last chorus pulls back to just voice and bouzouki for a fragile ending., tone, soft, male vocals, sad

Fast, quirky J-rock with male vocals; frantic drums and choppy power chords under talk-sung verses, then an explosive shout-along chorus with gang vocals and octave guitars; middle section strips to bass and claps before a final, over-the-top anthemic repeat, playful sound FX and crowd noise sprinkled for humor.

male vocals,夢見る,119bpm


Auê No SESI
Brazilian funk-pop with syncopated percussion and bouncy bass, verse rides tight conversational phrasing; pre-chorus strips to claps and vocal stabs; chorus hits with gang shouts and a repetitive chant. Lead vocal stays playful and slightly raspy with doubled hook lines, ad-lib pings between phrases, and short delay throws on the key word. Use risers, reversed snaps, and a sudden break before the last chorus. Bright, punchy, and crowded in a club-ready mix.