male vocals,r&b,soul,chillout

rock,piano

Мечтательный

Arabic pop, dance-pop, upbeat mid-tempo, call-and-response

Glossy 80s city pop groove with warm chorus-drenched guitars, rubbery bass, and soft synth pads; drums keep a steady mid-tempo shuffle. Vocal floats cool and close, female vocals with airy doubles on the hook. Pre-chorus lifts with bright keys and rising bass; chorus widens into lush backing stacks and subtle brass stabs, then drops back to an intimate, late-night vibe.

115bpm，taiwanese

rap,opera,violin,gangsta rap

electronic with a driving bassline and synth accents

female vocals，j-pop，70bpm

Aggressive alt-rock with a punk edge, male vocals biting through over distorted guitars and tight bass. Verses stay tense and clipped, kick and snare locked in a marching stomp; chorus explodes with gang shouts on the hook and octave guitars. Brief middle break strips to drums and bass for a shout-along moment before the final, even louder chorus.

uplifting, piano-driven ballad with emotional depth and gentle crescendos, melodic

female vocals,rock,pop,hip hop,110bpm

Country ballad with gentle half-time sway, fingerpicked acoustic guitar, soft brushed drums, warm pedal steel, and subtle bass pulses; verse stays intimate and close-mic, pre-chorus opens with rising harmony pads and a small snare lift, chorus lands wider with stacked male doubles and a steady sing-back hook, bridge strips to guitar and voice before the final chorus blooms with steel guitar fills and a faint handclap lift. Soft, story-driven male vocal with breathy doubles, delay throws on key phrases, and a warm, melancholic mix, male vocals, country

male vocals,guitar,Уверенный,Воодушевляющий,Романтичный

Мечтательный，Веселый

female vocals,情感

female vocals,folk

pop,rap,rock,やる気,熱狂,元気

traditional koto,taiko,middle eastern,ロマンチック

Bouncy J-pop with electronic gloss; bright synth arpeggios over tight, snappy drums. Light verse groove with plucky keys, then a hooky, chant-like chorus that widens with stacked male vocals and octave doubles. Sub-bass anchors the low end, with a brief filtered middle-eight that drops to vocal and claps before the final chorus explodes.