Glass On My SleeveV4.5

Pop ballad with mid-tempo pulse, swung drums and a tight bassline; verse stays close-mic with sparse piano and finger snaps, pre-chorus opens with rising strings and layered harmony lifts, chorus lands big with full drums and an earworm vocal stack. Male vocals with doubled lead, airy ad-libs, and a short delay throw on the hook words. Reversed swells, subtle chimes, and a final lift into the last chorus. Bright, polished, intimate-to-cinematic mix., male vocals

2026-05-08 18:24

Paroles

[Verse 1] I left your name on my tongue Like a shard in the rain Wore your goodbye to work Acted fine, looked the same Your shirt still hangs on the chair By the dent in the wall I pass your side of the bed And I swear I feel it all [Pre-Chorus] If I turn off the frame Will your shadow stay? If I lock every door Do you fade away? [Chorus] Glass on my sleeve Cutting me slow Glass on my sleeve I still let it show I say I'm okay But you already know Glass on my sleeve Glass on my sleeve [Verse 2] Now the sink fills up late With the cups I forget There's a blue note on the fridge That I haven't thrown yet I hear your laugh in the hall In the crack of the dawn Then the room goes quiet And the feeling drags on [Pre-Chorus] If I turn off the frame Will your shadow stay? If I lock every door Do you fade away? [Chorus] Glass on my sleeve Cutting me slow Glass on my sleeve I still let it show I say I'm okay But you already know Glass on my sleeve Glass on my sleeve [Bridge] Maybe time is a hand That won't let go clean Maybe love leaves a mark You can see in between So I hold what I can Let the rest run free Still your goodbye shines back Every time it hits me [Final Chorus] Glass on my sleeve Cutting me slow Glass on my sleeve I still let it show I say I'm okay But you already know Glass on my sleeve Glass on my sleeve

Recommandé

俺の魂

rap,hip hop,reggae

NiziU旋風

Japanese rap with bouncy mid-tempo boom-bap swing, crisp kick-snare pocket and skittering hi-hats; verse rides tight internal rhymes and playful name-drops, pre-chorus pulls back to claps and bass alone, chorus hits with stacked group chants and short repeatable hook phrasing. Lead vocal is close-mic and punchy with doubles on key lines, ad-lib echoes in the corners, tiny reverse swells and tape-stop flips into each hook. Bright, glossy mix with clean low end and high-end sparkle.

Ты не слышишь просто

rich in texture with a driving beat, melancholic, electronic undertones, pop

妳累我比妳更累

高效

問題児のルール

ダーク

Manli und die Hunde

pop, dance-pop, electro-pop

檻蜘蛛-禁縛-

female vocals,hard rock,electric guitar,taiko,traditional koto,ダーク

Sim de Deus em Mim

Modern congregational worship in Portuguese, mid-tempo groove with warm piano and airy pads, subtle electric guitar swells and deep kick. Verses start intimate and reflective, chorus blooms with wide synths and group harmonies. Bridge climbs with tom builds and gang vocals, then drops to near-acapella final hook. Male or female vocals with soft grit and heartfelt delivery.

Endless Road

orchestral,hardstyle,rock,d&b,hard rock,synthwave,20bpm

Sümmeyye Neden Gittin

male and female duet,rap,Özgüvenli,Motive Edici,Üretkenlik,Yükseltici,Hayalperest,Rahatlatıcı,Romantik,Karanlık,118bpm

如果最後不是你

female vocals,72bpm

Упевнений

Dark trap with male vocals; ominous pads, distant bells, and a tight, sparse drum pattern. Verses stay cold and conversational with close-mic rap delivery, hook opens wider with layered chant backs and a heavy, dragging low-end. Subtle reverse effects and filtered risers lift into each chorus, keeping the tension simmering under a confident, menacing topline., male vocals