지도 없는 들판V5.5

Indie folk acoustic ballad at 94 BPM with fingerpicked acoustic guitar, brushed percussion, warm upright bass, and gentle harmonies; verse stays intimate and road-worn, pre-chorus opens with rising guitar figures and breathy doubles, chorus lands on a hummable, repeated melodic anchor with soft gang vocals, bridge pulls back to solo guitar and close-mic voice before the final chorus blooms with wider harmonies and a resolving cadence., natural, distinct, acoustic, indie folk, vocal

2026-09-26 13:31

Letra

[Verse 1] 낯선 언덕 위로 내 발이 먼저 닿아 손에 쥔 건 바람뿐 주머니는 가벼워 돌멩이 하나가 길을 대신 말해 내려온 흙냄새에 저녁이 섞여 와 [Pre-Chorus] 한 걸음 또 한 걸음 흔들려도 괜찮아 어디로 가는지 몰라도 나는 여기 살아 [Chorus] 지도 없는 들판 그래도 나는 가 지도 없는 들판 내 숨이 길이 돼 넘어진 자리마다 풀잎이 손을 잡아 지도 없는 들판 그래도 나는 가 [Verse 2] 마른 개울가에 작은 발자국 셋 누가 지나갔는지 이름은 몰라도 돌아보면 멀리 구름만 따라와 헛디딘 내 발끝에 새 풀이 돋아나 [Pre-Chorus] 한 번 더 고개 들어 산등성이 바라봐 틀린 길이 아니야 내가 만든 길이야 [Chorus] 지도 없는 들판 그래도 나는 가 지도 없는 들판 내 숨이 길이 돼 넘어진 자리마다 풀잎이 손을 잡아 지도 없는 들판 그래도 나는 가 [Bridge] 비가 한 차례 지나 땅은 더 검어지고 내 발자국 위로 물빛이 고여 이제 알 것 같아 길은 앞에만 있지 않아 돌아온 마음에도 길은 남아 있어 [Final Chorus] 지도 없는 들판 그래도 나는 가 지도 없는 들판 내 숨이 길이 돼 멈춘 듯한 순간도 나를 데려가 줘 지도 없는 들판 끝내 집이 돼 지도 없는 들판 그래도 나는 가 내가 걷는 오늘이 나의 길이 돼

Recomendadas

五龍天下統一【ピアノ】

male vocals,piano

Jah On The Corner

Reggae with a laid-back one-drop groove, warm bassline, skanking guitar upstrokes, and offbeat organ bubbles; verse stays sparse with bass, rim clicks, and close-mic vocal, pre-chorus opens with layered harmony and rising percussion, chorus lifts with gang vocals and a bright horn riff. Add dub delay throws on key words, a tape-echo tail into the hook, and a sunlit, punchy mix with deep low end., reggae

ねぶたの祭り

female vocals,演歌

Песня про хмурый осенний день

and percussive hi-hats. emphasis on a steady rhythm and dynamic delivery., male vocals, deep bass, motivating and confident russian rap with male vocals. a strong beat with layered synths, rap

笑っていたいだけなんだ

male vocals,pop,rock,j-pop,piano,物憂げ,感情,120bpm

雨の尼ソウル

funk, Laid-back soul-jazz-funk duet with male and female vocals trading lines; warm Rhodes, lazy bass groove, and tight rimshot backbeat. Trumpet riffs answer the singers like a conversational third voice, swelling into short call-and-response fills in the chorus. Bridge strips to Rhodes and vocal harmonies, then trumpet carries a brief melodic lift before the final hook hits harder., jazz

Üşüyorum Dön Geri

星屑のヤマト

male vocals,rock,200bpm

ピンポン返し

Hyperpop with frantic four-on-the-floor drums, rubbery bass, glossy synth stabs, and glitchy pitch bends; verse rides tight staccato phrasing and snappy internal rhymes, pre-chorus strips to skittering percussion and filtered vocals, chorus hits with stacked doubles and bratty gang replies. Female vocals, candy-bright top end, reverse swells, digital sparkles, crisp and hyper-polished mix., hyper pop, female vocals

Два года милый мой

мелодичная гармония, нежная акустика, русский романс

Golden Hour Run

Pop R&B with a buoyant midtempo swing, glossy kick-snare pocket, and tender syncopated guitar plucks; verse rides intimate and airy, pre-chorus strips to claps and pad swells, chorus opens with stacked harmonies and a lifted synth hook. Lead vocal stays close-mic and breathy with doubled choruses, delay throws on key words, and soft ad-libs in the corners. Ear candy: reverse cymbal into each pre-chorus, bell sparkles between phrases, sidechain shimmer under the final lift. Bright, polished, romantic mix with a warm dreamy glow., joyful, romantic, motivational, happy

静寂の鼓動

male vocals,hip hop,rap,rock,guitar,piano,violin,r&b,45bpm

Русалки и киты

folk，world，ambient

最後の恋

warm and heartfelt, acoustic ballad, minimal instrumentation with fingerpicked guitar and soft piano

Nuvens emprestadas

dream pop, airy female vocals, 98 BPM

どーでもいいけど！知らんけど！！

folk, rock (folk rock), enka

25歳の途中で

folk, Dusty country-folk over laid-back lo-fi drums, warm nylon guitar and soft organ pads; male vocals intimate and close-mic’d. Verses stay small and confessional, then chorus blooms with wide harmonies and gentle bass. Subtle slide guitar answers vocal phrases; last chorus drops to almost a whisper, then builds to a bittersweet, open-ended finish., country, lo-fi

Beach „House“ Wester

house,techno,Selbstbewusst

Экскаватор любви

pop, female vocals, rhythmic, electronic

黒の明かり

Dark, sub-heavy trap beat with pulsing sub-bass and sparse, detuned bells; male vocals half-rapped, half-whispered. Verses stay tight and close to the mic, lots of negative space; chorus explodes with layered octave doubles and distant choral pads. Occasional distorted risers and reverse impacts heighten the “mystic” tension, with a late-song drop that strips back to bass and voice before the final hook.